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Yearbooks: IBA 1985 The Yearbook Archive

 

Channel Four

Channel 4 was still under the auspices of its founding chief executive, Jeremy Isaacs in its original home of 60, Charlotte Street. Isaacs was an ex-ABC and Rediffusion man, and it is interesting that during his tenure at Channel Four there was a huge emphasis on adult education, gritty drama and a disproportionate number of programmes commissioned from Thames – 1985 being no exception!

The channel also still had its original funding formula, whereby it was financed by subscriptions from the ITV companies levied by the IBA in return for the ITV companies being able to sell advertising time on Channel 4 in their own regions. Additionally, if the channel made a profit, ITV was entitled to a large slice of it because if the channel made losses the ITV companies had agreed to bail it out. As a result, there was regular cross-promotion of ITV and Channel 4 on-air.

Channel 4, in 1985, was still a relatively young channel – although 97% of the country could receive Channel 4 many had been only able to watch it for less than a year. It was also perhaps far truer to its brief to be "innovative and different" that it would subsequently become.

It also broadcast far less hours back then than you may imagine. Channel Four only broadcast 61 hours a week back then, compared to 105 for ITV. The most common sight on tuning to Channel 4 during the daytime would be the IBA’s boxy test card ETP-1. Channel 4 tending to start-up mid-afternoon. Schools programmes were still transmitted on ITV, and it was yet to launch a breakfast television service.

One of the more interesting programmes made by Channel Four in 1984 was "Citizen 2000", which wanted to follow the lives of newborn children who would come of age in the year 2000. However, by the time they came of age Thames Television (who made the programme for Channel Four) had came and went.

Channel Four had immediately earned a reputation for "sex and depravity", whipped up by reactionary tabloid press coverage, and "tedious obscurity" due to lazy parody of the channel by comedians (the channel had been dubbed "Channel Bore" and "Channel Snore"). This had put off a large part of the channel’s potential audience.

Whilst people under 30 had been particularly keen on the choice and breadth offered by the channel, older viewers were proving harder to win over.

However, by 1985 the channel was gradually starting over older viewers who had been put off by the adverse comment about the channel in the media. With productions such as "Mapp and Lucia" and "The Irish RM" – not to mention "Countdown" – middle England was discovering the channel in increasingly large numbers. It had taken a while, but Channel Four was now truly arriving.

DAVE JEFFREY
Text © Dave Jeffrey

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