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Yearbooks: IBA 1985  The Yearbook Archive

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The IBA, in 1984, was enjoying a period of relative calm whilst the dust settled around another franchise round in which its judgement had yet again been found seriously wanting.

CentralIndependent Television was about to celebrate its thirtieth birthday, but the IBA was still making the same mistakes it made in its first franchise awards to Associated-Rediffusion and ATV exactly thirty years ago. Pick a ridiculously highbrow contractor (such as Associated-Rediffusion), and then hope to goodness it doesn’t go bankrupt before it manages to make more realistic programming. Or, on the other hand, pick a realistic contractor (such as ATV) then breathe down its neck continually and keep telling it parrot-fashion to go upmarket despite them knowing much better than you that to do so would be commercial suicide.

TVSThe IBA had dismissed Southern Television on the basis of a panoply of glittering promises from Television South, but the reality was (as in the case of London Weekend and Harlech before it) rather disappointing. By the end of 1984 it was clear that the company had not (and would not) outshine Southern, and its forays into the network had been mediocre at best.

TVS Afternoon ClubIts strongest suit, children’s programming, would have shone far more brightly were it not for the fact that Southern Television under Lewis Rudd had been the best producer of children’s television in the network. And TVS’s other networked contributions had not demonstrated any reason why it should be granted more access to the network.

Central Spitting ImageThe almost unprecedented interference in the structure of ATV Midlands, resulting in the creation of Central had brought about a worthy, slightly upmarket but ultimately dull company, with none of the pizzazz and swashbuckling excitement of ATV at its best. By 1984 the company was visibly lacking Sir Lew Grade’s guiding hand, and was saddled with "regional" shareholders with little interest in or understanding of television.

Worse still, breakfast television had been brought to its knees by an archetypal bit of IBA foolishness. The IBA picked an upmarket franchisee for breakfast television that could only possibly make money if the BBC didn’t compete with it. The IBA had assumed that the BBC would produce a worthy, "Newsnight"-style Breakfast programme. It didn’t – it basically moved "Nationwide" into the morning and had the additional benefit of regional news and weather (something thatTV-am TV-am didn’t have). TV-am was forced to zoom very publicly downmarket to a level below IBA’s wildest dreams kicking and screaming very publicly all the way. And, unknown to everyone in 1984, TV-am was going to go a good way further downmarket yet.

The IBA’s mistake, as always, was to pick the franchise holder with the highest amount of public service commitments or offering the most highbrow programming – despite being obvious to anyone TV-am Good Morning Britainthat this would result in a very public financial disaster. The IBA never learnt, and was about to get its fingers severely burnt with its choice of satellite franchisee.

Meanwhile, serious problems in other areas had gone unremedied by the IBA. Thames Television was being run as a cash cow by its board and continuing to earn its reputation on the back of its talented pool of staff inherited from ABC and Rediffusion. Arguably Thames no longer deserved the excellent pool of programme making talent it had in 1984, and simmering discontent within the company led to the worst industrial relations in the network.

However, due to sheer talent and despite chronic under investment, Thames continued to win awards and make excellent programmes that kept the IBA happy. Apart from lopping another 1hour 15mins from the company on Fridays (relatively painless as LWT ended up showing "Thames News"), the IBA had not really done anything to show its disapproval, or to secure Thames the management it deserved. To allow the flagship contractor to flounder in this way was unforgivable.

In much the same way, Ulster was under performing as always. In 1981 it had yet again been retained as a "safe pair of hands" given the "difficult situation". The unwillingness of the IBA to ensure that a quality regional TVS Maidstone studios opened by the then-Prime Ministercontractor served the people of the six counties was an abandonment of their duty.

It is interesting that the 1985 yearbook marked the final time that the IBA Yearbook would mark the building of new ITV studio centres. With the completion of Culverhouse Cross for HTV Wales, and the opening of Central’s Nottingham Studios and the new TVS centre in Maidstone this marked the last major programme of building television studios in Britain. This was the last time that companies could proudly boast of gleaming new studio centres being Central Nottingham Studios, opened by the Duke of Edinburgh (inset)the "largest and best equipped in Europe". Television studios, once the ultimate mark of prestige, are now simply "resources" that can just as easily be rented as owned.

Modern technology and deregulation in the industry was about to make it both much more practical and much cheaper to film on location, and modern accounting practices now frown on anything that can be regarded as a "fixed cost" – particularly with the amount of production now farmed out to independent producers.

 

DAVE JEFFREY
Text © Dave Jeffrey

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