| The
Transdiffusion archive's chief advantage and disadvantage is the
same thing. The archive was originally compiled by
children.
These
children left us with a resource that simply exists nowhere else
in private hands. It is a resource that the BBC themselves
have drawn on (until they realised that the material cut out of
the repeat playing of 'Round The Horne' was cut out for a reason
- filthiness - and stopped asking for copies!). But it is
uncoordinated, unindexed.
The
benefit though is the persistence of children. They don't
give up. They explore every avenue. Every
possibility. They don't accept defeat.
One
way of achieving the early aims of Transdiffusion was to write
to the broadcasters - persistently. Any unclear
point? They wrote. Any questions? They
wrote. Any clear tips on exactly what the broadcasters
were doing wrong? They wrote.
The
answers are informative. Firstly, today broadcasters
don't, frankly, give a stuff about people who write in.
Especially children. Secondly, the exasperated tones of
the people who did reply comes through, thus revealing a secret.
Broadcasters
didn't stop replying because it became 'irrelevant' or because
the writers were 'unrepresentative'. They stopped because
they couldn't be bothered to reply to the audience who they are
- allegedly - there for. They laugh at us for thinking
they should be interested. They were doing so then, but
were scared of frightening off viewers. All things end, I
suppose.
In
the following brief gallery of replies, we have obscured several
parts of the reply - mainly the addresses of the correspondents,
as they no longer apply. Everything else is how it was the
day the envelope landed on the mat. |